Domenique Mora Interior Architectural Design

There is a global growing trend preferring experiences to products, to counterpoise our digital and abstract world and a need to be deeply moved, to feel completely alive. The Waldorf Project is an immersive experience on a theatrical grand stage in which art is consumed through all the senses. The experience will unite the senses through food, scent, drink, movement, sound, and environment. The main concept is the synergy between the various aspects of the event and the imaginations of the creative team: a food designer, a choreographer, a production designer, a costume designer, a product designer, and a sound designer, all being directed and orchestrated by British artist Sean Rogg.  The Waldorf Project/ Chapter Four/ Barakah will be staged under the concept of the Japanese emotion AMAE, a temporary surrender in perfect safety. Seven courses will be interwoven with a cutting-edge enchanting theatre, all carefully crafted and choreographed to test your responses and manipula

When Gregor Törzs finds something he feels the inner longing to hold it against the light. Whether it is a place, an object or a moment, for him it always refers to transparency and the hidden qualities of fragility, love, secret or perfection. ​ Born 1970, Gregor Törzs´ background and training make his approach to art unique. He started his career as a trainee in advertising in his hometown Hamburg. With nineteen he was drawn to Los Angeles, where he learned the film craft from Academy Award winning special effect experts John Dykstra and Dough Smith; later he worked as a lighting technician and as cinematographer. In 1993, he became Director of Photography, establishing himself in the world of advertising and fashion, working with major stars and commercial brands. Today, Törzs mainly focuses on art photography and platinum printing. He lives and works in Berlin. In 2006 Törzs introduced his fine art photography with his series „Boy on Safari“, depicted in dark landscapes of

I have recently come across Agnieszka’s Osipa’s work and I have no words to describe her jaw dropping creations. Her costumes are portrayed in a dream - like visual representation of various parts of folklore culture around the world and ways to revive them within the fashion context.  Part of Agnieszka’s Osipa’s identity as a designer is to use recycled, industrial materials and a combination of handcrafted religious trims. Different manufacturing processes all come together with handmade techniques and materials for something historical and old, through the exploration of traditional arts and crafts and their projection to contemporary aesthetics. 𝒟𝑜𝓂𝑒𝓃𝒾𝓆𝓊𝑒 𝑀𝑜𝓇𝒶 𝒾𝓈 𝒶𝓃 𝑒𝓃𝓋𝒾𝓇𝑜𝓃𝓂𝑒𝓃𝓉 𝓌𝒽𝑒𝓇𝑒 𝒾𝓃𝓃𝑜𝓋𝒶𝓉𝒾𝓋𝑒 𝒹𝑒𝓈𝒾𝑔𝓃𝑒𝓇𝓈 𝒶𝓃𝒹 𝒸𝓇𝒶𝒻𝓉𝓈𝓂𝑒𝓃 𝓊𝓃𝒾𝓉 𝓉𝑜 𝓅𝓇𝑒𝓈𝑒𝓃𝓉 𝓉𝒽𝑒 𝒹𝑒𝓈𝒾𝑔𝓃𝓈 𝒶𝓃𝒹 𝑜𝒷𝒿𝑒𝒸𝓉𝓈 𝓉𝒽𝒶𝓉 𝒹𝑒𝒻𝒾𝓃𝑒 𝓉𝒽