Domenique Mora Interior Architectural Design

Milan Design Week 2017 The 30 vases of various sizes were placed in a 1800 mm aquarium filled with water that float like jellyfish in the water. The strength and direction of the water’s current was carefully adjusted so that they undulated moderately. The vases are made from ultrathin transparent silicon that has been dyed twice to give the impression that what is floating in the water is but a gradated silhouette of transparent colors. The Jellyfish vases by Nendo redefines the traditional role of flower, water, and vase by making the water inconspicuous with ensemble of soft-pedalled flowers and vases floating inside the filled water. 𝒟𝑜𝓂𝑒𝓃𝒾𝓆𝓊𝑒 𝑀𝑜𝓇𝒶 𝒾𝓈 𝒶𝓃 𝑒𝓃𝓋𝒾𝓇𝑜𝓃𝓂𝑒𝓃𝓉 𝓌𝒽𝑒𝓇𝑒 𝒾𝓃𝓃𝑜𝓋𝒶𝓉𝒾𝓋𝑒 𝒹𝑒𝓈𝒾𝑔𝓃𝑒𝓇𝓈 𝒶𝓃𝒹 𝒸𝓇𝒶𝒻𝓉𝓈𝓂𝑒𝓃 𝓊𝓃𝒾𝓉 𝓉𝑜 𝓅𝓇𝑒𝓈𝑒𝓃𝓉 𝓉𝒽𝑒 𝒹𝑒𝓈𝒾𝑔𝓃𝓈 𝒶𝓃𝒹 𝑜𝒷𝒿𝑒𝒸𝓉𝓈 𝓉𝒽𝒶𝓉 𝒹𝑒𝒻𝒾𝓃𝑒 𝓉𝒽𝑒 𝟤𝟣𝓈𝓉 𝒸𝑒𝓃𝓉𝓊𝓇𝓎.

Since the beginning of time, black has a lot to divulge, it expressed mourning, poverty, denial, revolt and it exalted the avant-garde and haute-couture.   Both rive gauche and rive droite, from lacerated and leather, to the perfection of the little black dress, from brutal bondage clothing to the monks’ modern hoods, from the black jacket to black coffee, black made a lot of ink flow.   Black is able to express love and romanticism as well as hate and racism, in equal proportion and with the same ardor.   Black is seen in lace of a domination mask, veil of seduction and burka of discretion.  Yet, behind dark veils hides a myriad of attitudes, divergent tastes and disparate characters.  In a chaotic century, which still cannot find its way, it seems that there is only one way out. One direction to take.  We have to merge opposites and erase contrasts to embrace and exploit the ideas of cross-breeds from various disciplines to finally bridge the gap between the two brains. To a

New thinking pushes innovation beyond the expected in today's world of art and design.   A return to primal and intense, an experience that possesses the kind of experiential knowledge that is gained through an all-encompassing and multi-sensory feeling.  The rapid rise of synaesthesia is evidence of this desire.  The work of Jinhyun Jeon is inspired by desire. A graduate from the Design Academy of Eindhoven, Jinhyun Jeon created a project entitled 'Tableware as Sensorial Stimuli,' seeking to infuse the daily ritual of eating with the phenomenon of synaesthesia.  The project is a set of cutlery in which each piece is designed to engage you in further senses than simply taste.  By exploring synaesthesia through design, the artist hopes to enhance the role of tableware and cutlery, enriching the experience of eating by cross-wiring and activating multiple senses through a combination of temperature, color, texture, volume and form. Jinhyun Jeon serves to create jub

Luca Nichetto was born in 1976 in Venice. He studied at the city’s Istituto Statale d’arte, before undertaking a degree in industrial design at the Università Iuav di Venezia, from which he graduated in 1998. In 1999, Nichetto began his professional career with Murano-based glass maker Salviati, later becoming a product designer and consultant for lighting company Foscarini. In 2006, he founded his eponymous practice in Venice. In 2011 he moved to Stockholm, Sweden, to open a second studio and he continues to live in and work from this city. Over the course of his career, Nichetto has served as art director for many international design brands and he has developed an in-depth knowledge of the design industry. He has lectured and led workshops at various universities, including serving as a professor of design at the Università Iuav di Venezia, as well as sitting on juries for assorted international design competitions. Nichetto’s work has been exhibited worldwide and has been th