Marilyn Minter's Artwork

Slick, steamy, soiled, smeared, sexy, raw, juicy, bold, in your face and amazing, such is the work of the tall, pale-complexioned, sharply blue eyed, painter and photographer, Marilyn Minter. Her disarmingly candid manner, a ready laugh and painting style defies easy characterization. Some consider her work photo-realism; she prefers to call herself a “photo re-placer.” Shooting the staged images for her paintings with analog film, she then subjects them to 80 or more rounds of photo-shop manipulation before transferring the results to aluminum panels and handing them over to her team. Her composites images of female body parts and excess have been embraced and reviled for their sensual magnetism for more than three decades.

Minter has been the subject of numerous solo exhibitions including the San Francisco Museum of Modern Art in 2005, the Center for Contemporary Art, Cincinnati, OH in 2009, La Conservera, Centro de Arte Contemporáneo, Ceutí/Murcia, Spain in 2009, the Museum of Contemporary Art, Cleveland, OH in 2010, and the Deichtorhallen in Hamburg, Germany in 2011. Her video Green Pink Caviar was exhibited in the lobby of the MoMA in 2010 for over a year, and was also shown on digital billboards on Sunset Boulevard in L.A. and the Creative Time MTV billboard in Times Square, New York. Minter’s work has been included in numerous group exhibitions in museums all over the world. In 2006, Marilyn Minter was included in the Whitney Biennial, and in collaboration with Creative Time she installed billboards all over Chelsea in New York City. In 2013, Minter was featured in “Riotous Baroque,” an exhibition that originated at the Kunsthaus Zürich and traveled to the Guggenheim Bilbao. In 2015, Minter’s retrospective Pretty/Dirty opened at the Contemporary Arts Museum, Houston, TX. Pretty/Dirty and then traveled to Museum of Contemporary Art Denver. The exhibition will continue on to the Orange Country Museum of Art and the Brooklyn Museum in 2016. Minter is represented by Salon 94, New York, Regen Projects, Los Angeles, and Baldwin Gallery, Aspen.

SMASH teaser from Marilyn Minter

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This magnificently produced book provides a priceless record of a unique and increasingly fragile way of life, one threatened by conflict, climate change and tourism. The lower valley of the Omo, at the borders of Ethiopia, Kenya and Sudan, remains one of the wildest places in Africa. Over the course of numerous voyages to this forgotten land, Hans Silvester became fascinated by the beauty of the Surma and Mursi tribes, who share a taste for body painting and extravagant decorations borrowed from nature. In this region of East Africa, the rivers that run through the dry savannahs are home to abundant flowers, papyrus and wild fruit trees, and this luxuriance becomes an invitation to creativity and spectacle. Within hand’s reach, a multitude of plants inspire fanciful and ephemeral self-decoration, and the Omo tribes react spontaneously: a leaf, root, seed pod or flower is quickly transformed into an accessory. People create caps from tufts of grass or they ornament t...

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Aldo Rossi (born 1931), one of the most influential architects during the period 1972-1988, has accomplished the unusual feat of achieving international recognition in three distinct areas: theory, drawing, and architecture. In 1966 Aldo Rossi published the book The Architecture of the City, which subsequently was translated into several languages and enjoyed enormous international success. Spurning the then fashionable debates on style, Aldo Rossi instead criticized the lack of understanding of the city in current architectural practice. Aldo Rossi argued that a city must be studied and valued as something constructed over time; of particular interest are urban artifacts that with-stand the passage of time. Despite the modern movement polemics against monuments, for example. Aldo Rossi held that the city remembers its past and uses that memory through monuments; that is, monuments give structure to the city. ...

Domenique Mora Interior Architectural Design

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