Aldo Rossi (born 1931), one of the most influential architects during the period 1972-1988, has accomplished the unusual feat of achieving international recognition in three distinct areas: theory, drawing, and architecture. In 1966 Aldo Rossi published the book The Architecture of the City, which subsequently was translated into several languages and enjoyed enormous international success. Spurning the then fashionable debates on style, Aldo Rossi instead criticized the lack of understanding of the city in current architectural practice. Aldo Rossi argued that a city must be studied and valued as something constructed over time; of particular interest are urban artifacts that with-stand the passage of time. Despite the modern movement polemics against monuments, for example. Aldo Rossi held that the city remembers its past and uses that memory through monuments; that is, monuments give structure to the city.
Designer and Architect, Marcel Breuer (1902 - 1981) can be regarded as one of the most influential and important designers of the 20th century. As a young student at the Bauhaus Weimar, Breuer, who was Hungarian by birth, caught the eye with various furniture designs inspired by the Dutch De Stijl group. In 1925, at the tender age of only 23, he “invented” tubular steel furniture, a revolutionary development, to be considered his core contribution to the history of design. Breuer’s tubular steel designs, such as the famous Wassily armchair, the Bauhaus stool, or his various cantilever chairs are representative for the design of an entire epoch, and thus comparable only with Wagenfeld’s legendary table luminaire. In the shape of millions of copies they have long since taken a firm place among the great classics of Modernism. Yet it was not only tubular steel furniture that helped Breuer make an international splash. He was likewise a design history trail-blazer with his alu...


.jpg)














